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Edward Matthew Ward The Figurantes oil painting


The Figurantes
Painting ID::  834
Edward Matthew Ward
The Figurantes
1877

   
   
     

Edward Matthew Ward Sir Thomas More's Farewell to his Daughter oil painting


Sir Thomas More's Farewell to his Daughter
Painting ID::  19154
Edward Matthew Ward
Sir Thomas More's Farewell to his Daughter


   
   
     

Edward Matthew Ward The Investiture of Napoleon III with the Order of the Garter 18 April 1855 (mk25) oil painting


The Investiture of Napoleon III with the Order of the Garter 18 April 1855 (mk25)
Painting ID::  24221
Edward Matthew Ward
The Investiture of Napoleon III with the Order of the Garter 18 April 1855 (mk25)
1860

   
   
     

Edward Matthew Ward Queen Victoria at the Tomb of Napoleon (mk25) oil painting


Queen Victoria at the Tomb of Napoleon (mk25)
Painting ID::  24222
Edward Matthew Ward
Queen Victoria at the Tomb of Napoleon (mk25)
24 August 1855 1860

   
   
     

Edward Matthew Ward Hogarthian image of the South Sea Bubble oil painting


Hogarthian image of the South Sea Bubble
Painting ID::  94608
Edward Matthew Ward
Hogarthian image of the South Sea Bubble
cjr

   
   
     

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     Edward Matthew Ward
     British Painter. 1816-1879 His parents encouraged his early interest in art. He was sent to a number of art schools, including that of John Cawse (1779-1862), before gaining entry to the Royal Academy Schools in 1835. He first exhibited at the Royal Academy in 1834 with Adelphi Smith as Don Quixote (untraced). In 1836 he went abroad for further study, visiting Paris and Venice on the way to Rome, where he spent three years. His first work of any consequence was Cimabue and Giotto (untraced), which he sent back to the Royal Academy show of 1839. On the way back to England at the end of that year Ward visited Munich to learn the technique of modern fresco painting in order to take part in the competition to decorate the Palace of Westminster, but his cartoon, Boadicea (1843; untraced), was unsuccessful. However, in 1852 he was commissioned to produce eight pictures for the Palace of Westminster, on subjects drawn from the English Civil War, the best of which is the Last Sleep of Argyll (1860s) in the Commons Corridor of the Houses of Parliament

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